As a conceptual artist, he exhibited at the 48th Venice Biennale (Progetto Oreste; 1999; Visual Arts Directorship: Harald Szeemann).
His work has been used as a worldwide basis to test the universal value of pictorial language (2017; project: NoTitle).
In 2018, Di Marzio is renewing the visual representation of the Creation of the World and Mankind, on the assumption that the Bible is a transcription of actual and – therefore – visible realities: this challenge sinks its roots into the ground of the relationship between thought and reality.
A minute long movie: Bereshit 2017
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