Fabrizio Di Marzio, 1965, is a painter.

As a conceptual artist, he exhibited at the 48th Venice Biennale (Progetto Oreste; 1999; Visual Arts Directorship: Harald Szeemann).

His work has been used as a worldwide basis to test the universal value of pictorial language (2017; project: NoTitle).

In 2018, Di Marzio is renewing the visual representation of the Creation of the World and Mankind, on the assumption that the Bible is a transcription of actual and – therefore – visible realities: this challenge sinks its roots into the ground of the relationship between thought and reality.